-
Face Against Ground
--
-
Bondage
--
-
New York
--
-
Serenade (F. Schubert)
--
-
Serial Clones
--
-
Deadline 2
--
-
North Valley
--
-
Necron X
--
-
Third Generation
--
-
Shaved Girls
--
-
Was
--
-
Nostalgia
--
-
Tomorrow
--
-
Crash In The Sky
--
-
Eternal Language
--
-
Reflex 3
--
-
Criminal Passion
--
-
Sing Song
--
-
Dance Music
--
-
Maldoror (Chant Troisième)
--
-
Es Lebe Der Tod 3
--
-
Murder/Projection
--
-
Tote Kinder
--
-
Ataxia
--
-
Uns Kill
--
-
Psychotrope
--
-
Dog Handler
--
-
Purple Pain
--
-
Newel/Light
--
-
Crypt
--
-
Song of Paralysis
--
-
Oltre
--
-
Flesh Wounds
--
-
Post-mortem
--
-
Sade Memory
--
Update Required
To play the media you will need to install or use a modern browser
|
Notes & Commentary |
[Limited Edition of 300 copies / includes one original photograph on RC paper]
(1983-1988)
Leçon 1 :
Second Vision of Fetish (tracks 1-15/disc 1)
Leçon 2 :
Es Lebe der Tod (tracks 16-19/Disc 1) + (tracks 1-7/disc 2)
Leçon 3 :
Lustful Collection II (tracks 8-16/disc 2)
Composed, performed and recorded by Philippe Fichot
Produced by Bain Total â„—1991
Copyright Control Philippe Fichot
Voice on Tote Kinder by Katia B.
Voice & live orgasm on Sade Memory by Sophie
Dog intervention on Maldoror : Boubou.
Design & Photography : Ph. F.
____________________________________________
ARCHIVES & DOCUMENTS come out for the first time on Normal Records in a 30 cm box, in limited 3 LP or 2 CD versions, gather "Fetish" and "Es lebe der Tod" cassettes, plus other additional tracks recorded just before "Poupée Mécanique" and some older unpublished works, sometimes live.
It was presenting an evolution between pure electronic music tracks, rather melodic, and more "rough" tracks with dirtied creeping samples.
Uneasiness is underlying, and the listener sinks slowly into the dark zone of his brain, invaded by the night.
____________________________________________
ARCHIVES & DOCUMENTS sorti pour la première fois sur Normal Records dans un coffret 30 cm en versions limitées 3 LPs et 2 CDs regroupe les cassettes “Fetish†et “Es lebe der Todâ€, plus des morceaux complémentaires enregistrés juste avant “Poupée Mécanique†et quelques inédits plus anciens, dont certains “liveâ€.
Il s’agissait de présenter une évolution entre des morceaux de pure musique électronique, assez mélodiques, et des morceaux plus “brut†aux échantillons “salisâ€. Le malaise est sous-jacent, et l’auditeur s’enfonce lentement dans les zones sombres de son cerveau, envahi par la nuit.
|
|